Category II – simple decorative details: smooth leaves, modulons, drifts, drops, cones, and curvilinear profiled elements such as Doric capitals and bases.

Category III – elements of moderate complexity, including ornamented details: rope, harness, pea, ornamental carving, meander, beads, modulons with ornament, brackets with moderate detailing, as well as Ionic capitals and ionics.

IV category – complex decorative elements with a high level of detail and deep relief (over 20 mm): edged leaves, Corinthian capitals, intricately ornamented rosettes, as well as architectural decoration in the styles of Baroque, Rococo, Rocaille, Empire, Renaissance.

Category II – simple decorative elements such as smooth leaves, modulons, drifts, drops, cones, and curvilinear profiled surfaces (Doric capitals, bases).

III category – elements of medium complexity with ornamentation: rope, harness, peas, figural carving, meander, beads, ornamented modulons, brackets with simple patterns, as well as Ionic capitals and ionics.

IV category – complex decorative elements with rich ornamentation and deep relief (more than 20 mm), such as edged leaves, Corinthian capitals, folding rosettes, as well as architectural and splendid decor in the styles of Baroque, Rococo, Rocaille, Empire, Renaissance.

II category – simple decorative forms, in particular smooth leaves, moduli, drifts, drops, cones, as well as curvilinear profiled elements (Doric capitals, bases).

Category III – ornamented details of medium complexity such as rope, harness, polka dot, carved pattern, meander, beads, modulars with ornamentation, corbels with light decoration, Ionic capitals and ionics.

IV category – complex decorative elements with rich ornamentation and relief depth of more than 20 mm: edged leaves, Corinthian capitals, detailed rosettes, as well as architectural decoration in the styles of Baroque, Rococo, Rocaille, Empire, Renaissance.

II category – simple decorative details, in particular smooth leaves, modulons, drifts, drops, cones, as well as curvilinear profiled forms (Doric capitals, bases).

III category – elements of medium complexity with ornamentation: rope, harness, polka dots, carved patterns, meander, beads, ornamented modulons, brackets with moderate decorativeness, Ionic capitals and ionics.

IV category – complex decorative elements with deep relief of more than 20 mm: framed leaves, Corinthian capitals, carved rosettes, as well as architectural and splendid decor in the styles of Baroque, Rococo, Rocaille, Empire, Renaissance.

Category II – simple decorative facade details: smooth leaves, modulons, drifts, drops, cones, and curvilinear profiled surfaces, including Doric capitals and bases.

Category III – facade elements of medium complexity with ornamentation: rope, harness, polka dots, carved decoration, meander, beads, ornamented modulons, brackets with moderate finishing, Ionic capitals and ionics.

Category IV – complex decorative elements of the facade with deep relief (over 20 mm): framed leaves, Corinthian capitals, rosettes with complex ornamentation, as well as architectural and splendid decor in the styles of Baroque, Rococo, Rocaille, Empire, Renaissance.

Category II – simple decorative details: smooth leaves, modulons, drifts, drops, cones, as well as curvilinear profiled surfaces, such as Doric capitals and bases, which are used to create basic façade finishes.

Category III – elements of medium complexity with ornamental design: rope, tourniquet, polka dots, carved motifs, meander, beads, ornamented modulons, brackets with moderate decoration, as well as Ionic capitals and Ionics, giving the facade expressiveness.

IV category – complex decorative elements with deep relief (more than 20 mm): framed leaves, Corinthian capitals, rosettes with complex ornamentation, as well as architectural and splendid decor in the styles of Baroque, Rococo, Rocaille, Empire, Renaissance, which emphasise sophistication and refinement.

Category II – castings of simple decorative details: smooth leaves, modulons, drifts, drops, cones, as well as curvilinear profiled elements such as Doric capitals and column bases.

III category – facade details of medium complexity, including decorative ornaments: ropes, harnesses, polka dots, carved decoration, meander, beads, ornamented modulons, brackets with restrained artistic design, as well as Ionic capitals and other elements in the style and.

Category IV – complex facade castings with deep reliefs of more than 20 mm, which include framed leaves, Corinthian capitals, rosettes with complex patterns, as well as exquisite architectural decor in the Baroque, Rococo, Rocaille, Empire, Renaissance styles.

Radius pulling of facade cornices and rods made of polystyrene foam is a technology for the production of curved architectural elements for facade finishing. It allows to create smooth curves, arched and semicircular shapes that perfectly repeat the given radius of the building. Thanks to glass mesh reinforcement and special protective coating, such elements become strong, durable and weather-resistant.

Category II – fibreglass base decorative details: smooth leaves, modulons, drifts, drops, cones, and curvilinear profiled surfaces such as Doric capitals and bases.

III category – fibreglass medium-complex elements with ornamentation: rope, harness, polka dots, carved patterns, meander, beads, ornamented modulons, brackets with a moderate level of detail, Ionic capitals and ionics.

IV category – fibreglass complex decorative components with pronounced relief (depth more than 20 mm): framed leaves, Corinthian capitals, rosettes with complex ornamentation, as well as architectural and splendid decor in the styles of Baroque, Rococo, Rocaille, Empire, Renaissance.

Category II – architectural stone – simple decorative details: smooth leaves, moduli, drifts, drops, cones, and curvilinear profiled elements such as Doric capitals and bases.

Category III – architectural stone – elements of medium complexity, including ornamented details: rope, harness, pea, ornamental carving, meander, beads, modulons with ornamentation, corbels with moderate detailing, as well as Ionic capitals and ionics.

IV category – architectural stone – complex decorative elements with a high level of detail and deep relief (more than 20 mm): edged leaves, Corinthian capitals, intricately ornamented rosettes, as well as architectural decoration in the Baroque, Rococo, Rocaille, Empire, Renaissance styles.

Category II – installation of facade decoration: simple decorative details: smooth leaves, modulons, drifts, drops, cones, as well as curvilinear profiled elements such as Doric capitals and bases.

Category III – installation of facade decoration: elements of medium complexity, including ornamented details: rope, harness, peas, ornamental carving, meander, beads, modulons with ornamentation, brackets with moderate detailing, as well as Ionic capitals and ionics.

Category IV – installation of facade decor: complex decorative elements with a high level of detail and deep relief (over 20 mm): edged leaves, Corinthian capitals, intricately ornamented rosettes, as well as architectural and splendid decor in the Baroque, Rococo and Rocai styles.

Category II – restoration and reproduction of moulded decoration: simple decorative details: smooth leaves, modulons, drifts, drops, cones, as well as curvilinear profiled elements such as Doric capitals and bases.

Category III – restoration and reproduction of moulded decoration: elements of medium complexity, including ornamented details: rope, harness, peas, ornamental carving, meander, beads, modulars with ornament, brackets with moderate detailing, as well as Ionic capitals.

IV category – restoration and reproduction of moulded decoration: complex decorative elements with a high level of detail and deep relief (over 20 mm): edged leaves, Corinthian capitals, intricately ornamented rosettes, as well as architectural and moulded decoration in the Baroque, Rococo, Rocaille, Empire, Renaissance styles.

Category II – restoration of facade decoration: simple decorative details: smooth leaves, modulons, drifts, drops, cones, as well as curvilinear profiled elements such as Doric capitals and bases.

Category III – restoration of facade decoration: elements of medium complexity, including ornamented details: rope, harness, peas, ornamental carving, meander, beads, modulars with ornament, brackets with moderate detailing, as well as Ionic capitals and ionics.

Category IV – restoration of facade decoration: complex decorative elements with a high level of detail and deep relief (over 20 mm): edged leaves, Corinthian capitals, intricately ornamented rosettes, as well as architectural and splendid decoration in the Baroque, Rococo, Rocaille, Empire, Renaissance styles.

Category II includes restoration of minor volume loss, filling of deep cracks, localised reconstruction of lost details such as fingers, lugs or decorative elements, using restoration materials matching the original.

Category III covers restoration of significant loss of sculptural form, replacement of damaged parts, structural reinforcement, and fine retouching to harmonise old and new fragments.

Category IV deals with severely damaged or fragmentarily preserved sculptures where it is necessary to comprehensively reproduce significant lost parts, restore proportions and plastic details on the basis of historical sources, archival data or analogues.

II category – localised losses of painting, small destruction of the base that needs retouching, strengthening of the structure, replenishment of losses.

III category – significant damage to the base, large losses of the paint layer, elimination of deformations, restoration of compositional integrity.

Category IV – large-scale damage (loss of large fragments, serious structural damage to the foundation, layering of foreign materials) requiring complex reconstruction.

Category II – restoration of gilding: simple decorative details: smooth leaves, modulons, drifts, drops, cones, as well as curvilinear profiled elements such as Doric capitals and bases.

Category III – restoration of gilding: elements of moderate complexity, including ornamented details: rope, tourniquet, peas, ornamental carving, meander, beads, modulons with ornament, brackets with moderate detailing, as well as Ionic capitals and ionics.

Category IV – restoration of gilding: complex decorative elements with a high level of detail and deep relief (more than 20 mm): edged leaves, Corinthian capitals, intricately ornamented rosettes, as well as architectural and splendid decor in the Baroque, Rococo and Rocai styles.

II category:

Replacement of individual damaged elements (bricks, stone fragments).

Restoration of masonry joints with special mortars.

Elimination of deep cracks and structural defects.

Category III:

Restoration of large damaged areas.

Reinforcement of the structure with reinforcement or anchoring.

Restoration of decorative elements and the true texture of the material.

Category IV:

Complete disassembly and rebuilding of masonry.

Use of injection techniques to reinforce the structure.

Creation of replicas of lost elements and reproduction of the authentic appearance.

Includes the simplest shapes, silhouettes, and objects with a minimal level of detail. For example, geometric shapes, abstract sculptures, figurines without complex textures and small elements.

Detailed modelling of complex objects with accurate reproduction of anatomy, textures (e.g. wood, fabric, metal), complex poses and facial expressions. This category includes realistic sculptures of people, animals, mythological characters, sculptures with many small details.

The most complex level of modelling, which includes sculptural compositions with several characters, complex dynamic poses, highly detailed elements (small accessories, hair, expressive skin textures, etc.). Example – monumental monuments, historical or religious compositions with multiple characters and complex architectural components.

Multi-part moulds – used for large sculptures with complex contours. There are several parts, allowing easy removal of the copy without damaging the parts.

Flexible composite moulds are created from silicone or polyurethane and are used for parts with small elements. They can have a rigid frame to retain their shape.

High-precision technical moulds are designed for complex sculptural compositions with great detail and high accuracy requirements. They are produced from sophisticated reinforced materials and modern casting technologies.

Medium complexity – casting sculptures with partial detailing, use of form-creative techniques, elaboration of texture and basic features of the sculpture.

High complexity – producing realistic sculptures, busts or compositions with complex textures. Includes detailed surface treatment, by hand and careful sanding.

Complex fabrication – creating large or multi-figure compositions, the use of reinforcement, complex shapes and a high level of detail.

Medium Difficulty – making sculptures with moderate detail, use of reinforcement, additional textural effects and finer mould work. Includes surface treatment for better aesthetics.

High complexity – creation of realistic sculptures and multi-component compositions with precise detailing. Requires complex formwork, quality reinforcement and surface finishing (sanding, patination, painting).

Complex production – large-scale monumental projects, multi-figure compositions, complex dynamic forms. It involves the use of special additives in concrete, multi-level reinforcement, high-precision modelling and final processing to achieve an artistic effect.

Medium complexity – sculptures with more pronounced details and textures. May contain separate component parts that need to be joined together.

Complex mould – multi-component sculptures with high detail, complex geometry and many small elements. Requires intricate moulding, careful assembly and machining.

High complexity (exclusive) – large-scale or highly detailed compositions with many elements, textures and realistic detailing. They may contain moving parts or integrated lighting. Production requires high precision and high labour input.

Medium complexity – creating sculptures with crisp detail, more complex texture and careful finishing after casting. Includes additional polishing, patination and hand finishing of individual elements.

High complexity – casting of multi-figure compositions or realistic sculptures with precise elaboration of anatomy, facial expressions and movement dynamics. Requires complex moulding, fine finishing after casting and detailed patination.

Complex casting – large monumental projects, sculptures with complex composition and high detail. Multi-component casting, precise assembly, complex patination, gilding or other artistic effects are used.

Medium complexity – more detailed reliefs and small sculptures containing a clearly defined volumetric form, simple curves and plastic elements. Several materials or layers of metal can be combined.

High complexity – complex sculptural compositions with deep chasing, multi-level structure and many small details. It is possible to use a combination of techniques (welding, soldering, chasing, patination).

Master level – large sculptures and compositions that require high precision, complex curves, and multi-layered forms. Includes artistic surface treatment (oxidising, polishing, patination) and complex engineering solutions for structural stability.

Medium level – contains more complex ornamentation, including floral and geometric motifs, using different depths of embossing to give volume and play of light on the surface.

High level – implies a detailed artistic design with relief compositions, a combination of different metals and special patination methods to create an antique effect or noble lustre.

The exclusive level includes unique author’s works using complex techniques of chasing, filigree carving and combined metal inserts, creating impressive decorative elements for the facades of elite buildings.

Adding textures and ornaments, combining several materials without complex technological processes, which gives the elements of the art project expressiveness.

Creating a holistic concept by integrating different elements, using principles of composition and colour harmony.

The use of carving, chasing, moulding or plastics to add depth and expression to individual parts of a project.

Integration of moving elements, mechanisms or lighting effects that change the perception of the art project depending on the interaction with the environment or the viewer.

Combining different materials, techniques and treatments to achieve complex textures and effects that interact with each other within a single project.

Using digital technology, sensory elements or augmented reality to engage the viewer in interacting with the project.

Applying non-standard forms, unique techniques and new approaches to working with materials, creating an innovative look to the project elements.

Creating unique authoring solutions involving complex artistic compositions, personalised elements or exclusive artwork for a project.

Creating unique authoring solutions involving complex artistic compositions, personalised elements or exclusive artwork for a project.

Intermediate level: Here compositions become more detailed. A variety of colour and texture combinations are used, as well as gradients and stretched elements. Complexity of form and technique increases, and the work increases in size.

High level: works with complex artistic compositions such as portraits, landscapes or detailed scenes. The master works with different materials and techniques, which requires a high degree of precision and the ability to combine elements into a single harmonious picture.

Mosaics at this level require great skill and technical complexity, often done for large architectural projects or as art objects for galleries. Works at the professional level can combine smalt, glass, metal and other materials, requiring extreme precision and artistic vision.

Industrial blueprinted GRP products include products used in various industries. The manufacture of such products involves the process of forming GRP moulds using special techniques such as winding or laminating glass fibre with polymer resins. This results in lightweight but strong structures that are highly resistant to corrosion and mechanical damage. The manufacturing process of fibreglass moulds involves precise adherence to drawings to achieve the required dimensions and properties of the finished products.

Industrial GRP products as per drawings are the manufacture of products from a composite material that combines glass fibre and resin to create strong, lightweight and corrosion resistant products. The manufacture of such products involves processes like moulding, machining and laminating according to specific technical drawings. GRP products are used in various industries such as engineering, construction, transport and energy due to their properties such as high strength and resistance to external influences.